Charles Glaubitz - The Vitals

/>Age: 30
Hometown: Rosarito Beach,
Mexico
Where do you now live?: Tijuana, Mexico
/>How long have you been creating street art?: since the bones
brigade era, but been drawing since 3.
What did you do last
night?: painted the walls in my computer room.
What is
your favorite thing to eat for dinner?: Chicken ceaser salad
/>Who is your favorite fictional character?: Little Nemo,
Little Prince and Little Richard
What do you currently have in
your pockets?: A lighter
If you were given “more time,”
what would you do with it?: meditate
Who do you
love?: My wife, My little Baby, my parents, brother and sisters, the
world.

/>

Charles Glaubitz - The A’s to Our Q’s:

Wooster:
How did you get started in creating art?

/>Charles: I have been drawing since age 3, so I guess early in
life.

Wooster: How would you describe your
style?

Charles: As sweet and as delicate mexican
street sign paintings. Estoy constantemente trabajando la historia del Nino
Burro y su mundo arquetipico de la realidad del control economico, social y
politico.

Wooster: What other artists do you most
admire and why?

Charles: Clayton brothers, respect.
Barry Mcgee, respect. Jose Clemente Orozco, respect and admiration. Robert
Weaver, illustration master. Charles Bukowski, absurd. Charles Michael Ray,
real. Tony Fitzpatrick, extremely real. Trenton Doyle Hancock, myths. Ben Shan,
social artist. Siqueiros, Mural master, Diego Rivera, the master. Jose Guadalupe
Posada, the peoples artist. Takashi Murakami, radical. Yoshotom Nara, fucking
lovely. William Burroghs, Jack Kerouac, Allen Ginsberg, insane and real, Raymond
Pettibon, mr drawing. Ryan Mcguinnes, smart art. Dalek, sweet monky. Os Gemeos,
twin latin brothas.

Wooster: What inspires you
now?

Charles: I am inspired by political, social
art. such as the mexican muralist artist, they had something strong to say about
the world they live in and never held anything back. It was not about elitist
ideals of art, but art for the people.

Wooster:
What are you currently working on? I am constanly working on the story
of “Nino Burro” and the arcehtipical world of the reality of economic, social
and political control.